Why Is Sword Art Online So Hard to Find Dvd and Bluray in English Dub
Review
by Rebecca Silverman,Sword Art Online
Blu-Ray one - Aincrad Part i [Limited Edition]
In 2022, gaming is taken to a new level with the development of NerveGear, a helmet that allows players to become fully immersed in their games and so that you don't only play games, yous live them. The latest game to utilize the NerveGear is an MMORPG known as Sword Art Online (or SAO), and only ten,000 hard copies are available to the lucky few who wait in line to get them. A loftier schoolhouse student whose handle is Kirito is one of the those few, but later on logging in to the game, he and the other players brand a horrifying discovery – at that place is no logout option. The game'southward creator, Akihiko Kayaba, has programmed SAO to be a tap, and at present to die in game is to die in the real globe as well. This shall go on until someone beats the final boss and frees the players, and Kirito finds himself trying to keep himself and others alive in a fantasy world suddenly made real. | ||||||||
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| Synopsis: |  | ||
| In 2022, gaming is taken to a new level with the development of NerveGear, a helmet that allows players to become fully immersed in their games so that you lot don't just play games, y'all live them. The latest game to employ the NerveGear is an MMORPG known every bit Sword Art Online (or SAO), and simply x,000 difficult copies are available to the lucky few who wait in line to get them. A high school student whose handle is Kirito is one of the those few, merely later on logging in to the game, he and the other players make a horrifying discovery – there is no logout option. The game's creator, Akihiko Kayaba, has programmed SAO to exist a tap, and now to dice in game is to dice in the existent world as well. This shall go on until someone beats the final dominate and frees the players, and Kirito finds himself trying to keep himself and others alive in a fantasy world suddenly made real. | |||
| Review: | |||
| The allure of the MMORPG is easy to see – for a little while, part-playing games permit the states to forget the ix-to-five of our lives and to become someone we could otherwise never hope to exist: a hero, an charlatan, a principal mage or smith or chef or jewelcrafter, or even only someone else. For Kirito, a high school student living in 2022 Nihon, the creation of NerveGear simply makes that dream life more accessible. NerveGear is a helmet that allows players to become fully immersed in their games by "Full Dive." This means that in one case the helmet is on and activated, the player'southward torso becomes immobile as the encephalon sends signals to his digital avatar, making the game "existent life." Kirito is i of the lucky gamers who gets to play the new MMORPG Sword Art Online, a tower-based RPG where players must defeat increasingly difficult bosses in guild to progress up. He's making friends and having a good time when suddenly he notices something foreign – at that place's no "logout" option on the menu. The next thing he knows, the game's (and NerveGear's) creator Akihiko Kayaba is explaining that due to some easily exploitable flaws in the helmets, all of the players are at present trapped in the game, and that now death in-game likewise means the death of the physical body via microwaves emitted past the NerveGear. The just way to costless everyone? Climb the tower and trounce the last dominate. At this signal two things should exist fairly obvious – the spiritual link to the .hack franchise and the major glaring result with SAO's premise. In all honesty, the former is just something that the well-versed anime fan will remark upon and doesn't really have much of a bearing upon 1's enjoyment of the show, and indeed it is interesting to come across a similar idea played out in a unlike way. The latter observation, however, is a trouble. In the start episode it is explicitly stated that Kayaba invented both the NerveGear and SAO with the intention to exploit them, and he goes on to say that NerveGear uses some sort of microwave technology which he will utilize to kill players should their avatars die. The glaring question is, how did these pieces of gaming tech get past the Japanese Consumer Affairs Agency? It takes more than one person to create a game, plus we know that SAO was beta-tested (this is a major plot indicate, in fact), and so how did any rogue lawmaking become unnoticed? And how could something that one wears on one's head be so poorly regulated that it could get to market without better safety oversight? Peradventure this is being too nit-picky, but this is sloppy writing and the sort of glaring upshot that can brand SAO distinctly less enjoyable for some viewers. Fortunately there is all the same a lot to enjoy in these seven episodes (somewhat oddly spread out beyond two Blu-Ray discs). The idea of being trapped in i's fantasy is an intriguing one, and for the nigh part SAO does a good job of showing the ups and downs of in-game living. Kirito quickly realizes that he doesn't desire to exist a team role player and would rather fly solo, using his knowledge and skill to aid from the background, and some of the other players' reactions to him and other expert players reflects the cattiness that tin exist found in online games. Nosotros run across players who pass up to believe that the game is anything just, and others who find a new purpose in determining to crush information technology, like love interest Asuna, who at this point in the show is as prickly and adamant as they come. Still other characters like Lisbeth and Agil just forge new lives for themselves in-game, living every bit if this were their normal being. While Kirito's interactions with those who aren't Asuna certainly cast him in a slight Gary Stu light, and a good chunk of these start seven episodes have a "Kirito helps the ladies" vibe to them, there is a warmth to his graphic symbol that grows every bit the series progresses. If one doesn't watch the "Sword Art Offline" extras, it is easy to read these episodes as sort of short stories to the primary plot rather than the aggregation of a harem, and given the balance of the show, this seems a reasonable interpretation. In the three short extras, however, much fun is had at the girls' expense, with not only Lisbeth but also Silica wearing hearts on their sleeves. The extras, distributed across both discs every bit well, are fairly impressive. There are the three aforementioned shorts, which have the grade of a news programme and are quite funny, four episodes with Japanese commentary, English trailers, clean opening, and episode previews dubbed into English. The limited edition also comes with a small artbook, postcards, a collectible card, and a soundtrack disc containing groundwork music by Yuki Kajiura. While the music isn't as memorable as her work for Noir or .hack//SIGN, it is nevertheless a nice CD to put on while working. The quality on the Blu-Ray is really squeamish, with images being crisp, articulate, and colorful enough that on a large boob tube the show feels virtually as immersive every bit if you lot were wearing NetGear. Information technology too makes the slight distortion when we encounter through a character's optics stand out more than, which is quite interesting. The English language dub feels quite potent. Bryce Papenbrook'south Kirito has a slightly rough offset, simply in one case he gets going, information technology is very much comparable to Yoshitsugu Matsuoka'south performance, achieving the aforementioned warmth at times. Strains of Fairy Tail's Lucy Heartfilia tin can exist heard from time to time in Cherami Leigh's Asuna, simply she is very convincing as the prickly graphic symbol, and Lauren Mail's single episode advent as Rosalia is absolutely worth listening to, making her stand out more than the featured daughter, beast-tamer Silica. With many of the characters there is a sort of "matching" between the English and the Japanese voices, then which you should watch is basically dependent upon your preference at this betoken. As the show gets into meatier content in the next gear up of discs, it will be interesting to run into if this holds true. Sword Art Online isn't the well-nigh perfectly written show and it suffers from a few logical issues that can distract from the enjoyment of what is otherwise a fun, interesting tale of an RPG gone real. In a sense, the episodes on these discs were more enjoyable when watched once a week, equally it was easier to ignore some of the issues of storytelling, merely this is notwithstanding a solid piece of entertainment. With strong performances in both languages and good attending to the small details, such as how Kirito'south armor changes to testify the passage of time, SAO deserves a fair amount of the notoriety it has accomplished, both practiced and bad. |
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| Overall (dub) : B Overall (sub) : B Story : B- Animation : B Art : B+ Music : B + Modest details like armor evolving are well done, good performances both dub and sub. Lots of extras, both concrete and digital. | |||
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